{"id":1060,"date":"2025-03-04T09:48:59","date_gmt":"2025-03-04T14:48:59","guid":{"rendered":"https:\/\/living.okinawa.halekulani.com\/?p=1060"},"modified":"2025-03-04T10:34:19","modified_gmt":"2025-03-04T15:34:19","slug":"%e3%81%82%e3%82%8b%e5%a4%9c%e3%81%ae%e3%83%87%e3%82%a3%e3%82%a2%e3%82%b9%e3%83%9d%e3%83%a9%e7%9a%84%e5%af%be%e8%a9%b1","status":"publish","type":"post","link":"https:\/\/living.okinawa.halekulani.com\/en\/%e3%81%82%e3%82%8b%e5%a4%9c%e3%81%ae%e3%83%87%e3%82%a3%e3%82%a2%e3%82%b9%e3%83%9d%e3%83%a9%e7%9a%84%e5%af%be%e8%a9%b1\/","title":{"rendered":"A Diasporic Dialogue"},"content":{"rendered":"<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>In Uchin\u0101guchi, one of the Indigenous languages of Okinawa, there is a saying: Ichariba ch\u014dd\u0113. Once we meet, we are ch\u014dd\u0113\u2014brothers and sisters. For many in the diaspora, including myself, the saying reassures us that when we return to our homeland, we are welcomed as family. Yet, on a rainy winter night in Kalihi Valley on the Hawaiian island of O\u2018ahu, my understanding of the saying is challenged by Eric Wada and Norman Kaneshiro, Hawai\u2018i-born Uchin\u0101nchu and co-founders of Ukwanshin Kabudan, a performing arts troupe dedicated to perpetuating Okinawan arts and culture in Hawai\u2018i.<\/p>\n\n\n\n<p>\u201cIt\u2019s a powerful phrase, right?\u201d Kaneshiro says. \u201cBut if you\u2019re coming from a take-take-take perspective\u2014a colonizer perspective\u2014what it means is that you\u2019re entitled to everybody\u2019s friendship and love without doing anything in return.\u201d<\/p>\n\n\n\n<p>In January 1900, 26 Okinawan contract laborers arrived in Hawai\u2018i to work on the plantations, launching a wave of emigration that sent thousands of Okinawans into the diaspora. In the years since, Okinawans in the homeland have endured a brutal battle between two empires, fractured to this day by ongoing Japanese colonization and American military occupation. Meanwhile, those in diaspora have faced discrimination and assimilation while making a home in a foreign land. Today, roughly 100,000 \u2028Okinawans live in Hawai\u2018i.<\/p>\n\n\n\n<p>In this context, what does it mean to meet as ch\u014dd\u0113 who, though connected by family genealogies and ancestral villages, are also separated by five generations of emigration, an ocean, a language barrier, and vastly different experiences of war \u2028and colonization?<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns='http:\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%20370%20247'%3E%3C\/svg%3E\" data-id=\"1063\" data-lazy-src=\"https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-2.jpg\" alt=\"\" class=\"zeen-lazy-load-base zeen-lazy-load wp-image-1063\"\/><noscript><img decoding=\"async\" width=\"1292\" height=\"1938\" data-id=\"1063\" src=\"https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-2.jpg\" alt=\"\" class=\"wp-image-1063\" srcset=\"https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-2.jpg 1292w, https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-2-200x300.jpg 200w, https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-2-683x1024.jpg 683w, https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-2-903x1355.jpg 903w, https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-2-1024x1536.jpg 1024w, https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-2-8x12.jpg 8w, https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-2-500x750.jpg 500w, https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-2-977x1466.jpg 977w\" sizes=\"(max-width: 1292px) 100vw, 1292px\" \/><\/noscript><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns='http:\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%20370%20247'%3E%3C\/svg%3E\" data-id=\"1064\" data-lazy-src=\"https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-3.jpg\" alt=\"\" class=\"zeen-lazy-load-base zeen-lazy-load wp-image-1064\"\/><noscript><img decoding=\"async\" width=\"1292\" height=\"1938\" data-id=\"1064\" src=\"https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-3.jpg\" alt=\"\" class=\"wp-image-1064\" srcset=\"https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-3.jpg 1292w, https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-3-200x300.jpg 200w, https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-3-683x1024.jpg 683w, https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-3-903x1355.jpg 903w, https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-3-1024x1536.jpg 1024w, https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-3-8x12.jpg 8w, https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-3-500x750.jpg 500w, https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-3-977x1466.jpg 977w\" sizes=\"(max-width: 1292px) 100vw, 1292px\" \/><\/noscript><\/figure>\n<\/figure>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\">Ukwanshin Kabudan aims to instill in Hawai\u2018i\u2019s Okinawan community a sense of reciprocal responsibility, both to the islands of their ancestors and the islands that raised them.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>When Wada and Kaneshiro founded Ukwanshin Kabudan in 2007, it was with the aim to nurture connections between Hawai\u2018i and Okinawa through traditional music and dance. More deeply, it was to instill in Hawai\u2018i\u2019s Okinawan community a sense of reciprocal responsibility, both to the islands of our ancestors and the islands that raised us.<\/p>\n\n\n\n<p>\u201cIt\u2019s a strong kuleana (responsibility),\u201d Wada says as we sit on the floor of the dance studio he built in his home. He wears a blue T-shirt emblazoned with the Hawaiian adage, \u201cola i ka wai,\u201d meaning \u201cwater is life.\u201d Above him, portraits of masters of the Tamagusuku style of Okinawan classical arts hang in the manner of respected uyaf\u0101fuji, or ancestors. He continues, \u201cIn Uchin\u0101guchi we call it fichi-uk\u012bn.\u201d The verb pulls together two roots, fichun, to pull or inherit, and uk\u012bn, to accept or embrace. Combined, it signifies our accountability to the responsibilities we inherit from our ancestors.<\/p>\n\n\n\n<p>As young boys yearning for more of a connection to their Okinawan ancestry and Uchin\u0101nchu identities, Wada and Kaneshiro both took up dance and sanshin, an Okinawan stringed instrument. Kaneshiro was 16 when he met Wada, ten years his senior, but they quickly bonded over a shared passion for the arts, not just as a practice but also a kind of compass on their journey to make sense of themselves.<\/p>\n\n\n\n<p>Together, they worked their way through the hierarchies of Okinawan classical arts, studying in Okinawa and deepening their commitment to cultural practice as a way of life. Wada reached the level of shihan, or grandmaster, in dance. Kaneshiro reached the same pinnacle in music. They learned both Japanese and Uchin\u0101guchi and became well-versed in cultural protocol.<\/p>\n\n\n\n<p>\u201cIn a five-minute song, there\u2019s this whole history, this whole world behind it,\u201d Kaneshiro marvels. As he and Wada explored those worlds, they increasingly understood cultural practice as a political act. \u201cEven speaking your language is a form of activism,\u201d Wada says.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns='http:\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%20370%20247'%3E%3C\/svg%3E\" data-lazy-src=\"https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG.jpg\" alt=\"\" class=\"zeen-lazy-load-base zeen-lazy-load wp-image-1065\"\/><noscript><img decoding=\"async\" width=\"1292\" height=\"1938\" src=\"https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG.jpg\" alt=\"\" class=\"wp-image-1065\" srcset=\"https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG.jpg 1292w, https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-200x300.jpg 200w, https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-683x1024.jpg 683w, https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-903x1355.jpg 903w, https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-1024x1536.jpg 1024w, https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-8x12.jpg 8w, https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-500x750.jpg 500w, https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-977x1466.jpg 977w\" sizes=\"(max-width: 1292px) 100vw, 1292px\" \/><\/noscript><\/figure>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Before it was annexed by Japan in 1879, Okinawa was an independent nation known as the Ry\u016bky\u016b Kingdom. Much like in Hawai\u2018i, annexation brought the systematic suppression of language and culture, such that today, Okinawa\u2019s Indigenous languages are considered severely endangered. Many cultural practices have been lost. The name that Wada and Kaneshiro gave their performance troupe, Ukwanshin Kabudan, is itself a reminder of this sovereign history, referring to the ukwanshin or \u201ccrown ships\u201d that carried large envoys from China to Ry\u016bky\u016b for the coronation of a monarch. Upon their arrival, elaborate music and dance programs known as ukwanshin udui (crown ship dances) were offered to entertain the Chinese delegation. These would become the foundation for Okinawan classical arts.<\/p>\n\n\n\n<p>Heavily influenced by the work of Hawaiian nationalists like Haunani-Kay Trask and Lilikal\u0101 Kame\u2018eleihiwa, Ukwanshin Kabudan looked to dance and music as a way to ignite conversations about Ry\u016bky\u016ban sovereignty and reclaim a culture and history that colonization and occupation tried to erase.<\/p>\n\n\n\n<p>In Hawai\u2018i, that meant not just performing for the Okinawan community, but also educating people about the rich history of Okinawa\u2014and confronting the role of Okinawans as settlers on Hawaiian lands. \u201cWe started bringing up the words \u2018colonized, assimilated, settler, discrimination,\u2019 and especially the older generation didn\u2019t take to it,\u201d Wada recalls. \u201cIt was something they couldn\u2019t talk about.\u201d Gradually, the conversation changed, often by making connections between the desecration of sacred lands in both Okinawa and Hawai\u2018i\u2014particularly by the United States military, which currently operates 32 bases in Okinawa.<\/p>\n\n\n\n<p>In Okinawa, Wada and Kaneshiro found that their outside-insider identities\u2014Uchin\u0101nchu born in Hawai\u2018i but also certified shihan\u2014granted them a unique kinship with those in their homeland. As musicians, they could create intimate spaces for difficult conversations about Okinawa\u2019s history. And as visitors from the diaspora, they were slightly removed from the familial and intergenerational trauma that arose from those discussions. Eventually, they found themselves tending to wounds that had long been hidden. \u201cWe got to this other level where elders could talk to us,\u201d Kaneshiro says. \u201cThings they had a hard time sharing with their own children but wanted to tell us, because it needed to be passed down to the next generation.\u201d This deep trust demonstrated for them the importance of a reciprocal relationship between Hawai\u2018i and Okinawa. Where once they looked to Okinawa for a sense of authenticity and authority, Wada and Kaneshiro saw an opportunity to reclaim and co-create an Indigenous identity with Okinawans in the homeland.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns='http:\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%20370%20247'%3E%3C\/svg%3E\" data-lazy-src=\"https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-1.jpg\" alt=\"\" class=\"zeen-lazy-load-base zeen-lazy-load wp-image-1062\"\/><noscript><img decoding=\"async\" width=\"1292\" height=\"1938\" src=\"https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-1.jpg\" alt=\"\" class=\"wp-image-1062\" srcset=\"https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-1.jpg 1292w, https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-1-200x300.jpg 200w, https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-1-683x1024.jpg 683w, https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-1-903x1355.jpg 903w, https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-1-1024x1536.jpg 1024w, https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-1-8x12.jpg 8w, https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-1-500x750.jpg 500w, https:\/\/living.okinawa.halekulani.com\/wp-content\/uploads\/2025\/03\/LIVING-OK_1.1-A-Diasporic-Dialogue-IMG-1-977x1466.jpg 977w\" sizes=\"(max-width: 1292px) 100vw, 1292px\" \/><\/noscript><\/figure>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Over the years, Wada, Kaneshiro, and others at Ukwanshin Kabudan have expanded the organization\u2019s activities dramatically, offering uta-sanshin classes from co-director Keith Nakaganeku, Uchin\u0101guchi language classes from board member Brandon Ing, monthly workshops on Okinawan culture and politics, and an annual LooChoo Identity Summit that invites Okinawans from around the world to Hawai\u2018i to spark dialogue about who we \u2028are as a people.<\/p>\n\n\n\n<p>It has also become increasingly focused on the kuleana that Okinawans have to Hawai\u2018i and K\u0101naka Maoli (Native Hawaiians). In 2019, during the stand for Mauna Kea, members of Ukwanshin Kabudan led a delegation of Okinawans to offer ho\u2018okupu (gifts) in solidarity with those protecting the sacred mountain at Pu\u2018uhonua o Pu\u2018uhuluhulu, and in the aftermath of the Red Hill jet fuel leak in 2021, Ukwanshin Kabudan hosted panel discussions to draw vital connections between the U.S. military\u2019s contamination of both Hawai\u2018i and Okinawa\u2019s aquifers. Most recently, the group has become involved with efforts to repatriate the remains of Okinawan ancestors and return them to their rightful resting places.<\/p>\n\n\n\n<p>Reflecting on the ways Ukwanshin Kabudan has grown over the years, Wada says, \u201cGoing back to fichi-uk\u012bn, because that word is connected to so much\u2014to who we are, and who we\u2019re supposed to be\u2014it just grows.\u201d That is, perhaps, the burden and privilege of living in diaspora: you inherit responsibility for two different kinds of home.<\/p>\n\n\n\n<p>Kaneshiro adds, \u201cBecause when you\u2019re family, you don\u2019t just show up to the house to eat and drink. You clean up after, you take care of the house. You come back and show up for the hard times. That is what it means to be ch\u014dd\u0113.\u201d<\/p>","protected":false},"excerpt":{"rendered":"<p>Ukwanshin Kabudan reconnects Hawai\u2018i\u2019s Okinawan community with their homeland through music and dance.<\/p>","protected":false},"author":4,"featured_media":1061,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[347],"tags":[26,285,400,403],"class_list":["post-1060","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hawaii-1-1","tag-halekulani","tag-okinawa","tag-400","tag-403"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u3042\u308b\u591c\u306e\u30c7\u30a3\u30a2\u30b9\u30dd\u30e9\u7684\u5bfe\u8a71 - Halekulani Living \u6c96\u7e04<\/title>\n<meta name=\"description\" content=\"\u97f3 \u697d \u3068 \u821e \u8e0a \u3067 \u30cf \u30ef \u30a4 \u306e \u30aa 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